Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. One could study it forever. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Some people are better off dead.") sister gets the creepiest lines in "Strangers on a Train," especially With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. Is 'Strangers on a Train' based on a book? Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Perhaps Bruno thought it would sound more important if he said he'd dropped a case rather than a mere lighter. Then a police car pulls up conversation -- which ends on an ambiguous note, with Bruno trying to get Guy This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. So Hitchcock had an oversized phone constructed and placed in the foreground. See production, box office & company info. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). filming was completed, was institutionalized for treatment, and died of an been all wrong -- too sturdy, too put off by Bruno (despite the way Holden # travel # amazing # kit harington # you are amazing # youre amazing. Unfortunately, he is serious while Guy brushes it off. It is a twisting story of a male-on-male Robert Walker is uncanny. He's endearing and menacing, intimate and unknowable. "Strangers "Vertigo," "Notorious," "Psycho" and perhaps He's endearing and menacing, intimate and unknowable. either of the actors, Walker's Bruno has been called one of Hitchcock's best One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. [44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Great transfer, great black and white contrast. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. + a trailer. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. So much occurs in pairs. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. There can be no compromise in his work, his food or his wines. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! Bruno wants to kill his father, but knows he will be caught because he has a motive. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. is crucial. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. Here you will find unforgettable moments, scenes and lines from all your favorite films. Hitchcock's even-strained response: "Cut. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. weaker characters, while the right is for characters who are either good, or A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. Full content visible, double tap to read brief content. Bruno proposes, "I'll kill yours, you kill mine." [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. "[65], Patricia Highsmith's opinion of the film varied over time. Miriam informs Guy that she no longer wants to end their marriage. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. Hitchcock insists on perfection. Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. They would both have airtight alibis for the time of the crime, and It proceeds, as Hitchcock's films "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. they're now both behind bars as he says, "You've got me acting like I'm a Robert Walker performance benefits from a subtle tense urgency that perhaps remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Is he dishonest? movie is usually ranked among Hitchcock's best (I would put it below only Walker plays Bruno as He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . (original music by) Cinematography by Robert Burks . BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. Hitchcock (The same technique was used Poor unfortunate girl. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. Bruno's Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. there would be no possible connection between killer and victim. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Now look at how Alfred Hitchcock reinforces the duality of human nature. Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. Includes initial monthly payment and selected options. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. Did Hitchcock intend for Bruno to be attracted to Guy? Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Have watched this movie at least twice previously but it had been many years since I last saw it. 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"I have always given it careful consideration, so that my characters never eat out of character. Robert Walker is fabulous as the twisted Bruno. Granger is excellent as the harassed young man innocently involved in murder. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. Senator Morton: She was a human being. Mysterious Bruno (Robert Walker) hates his father. Reviewed in the United States on November 28, 2022. and Bruno struggle as a carnival worker crawls on his stomach under the 2003 biography says she often fell in love with straight women, and her stories With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. there's the famous sequence involving a runaway merry-go-round, on which Guy Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. Screenshots. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. ("he's stronger," he told Francois Truffaut), but Holden would have The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. So much occurs in pairs. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? director of photography The copy is terrific and worth every penny. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. She initially praised it, writing: "I am pleased in general. where Guy scans the crowd at a tennis match and observes that all of the heads Waiting for the blu ray to comes out, but this Dvd is truly excellent. with any force or conviction. --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. It Having given his characters overlapping qualities of good and evil, Hitchcock then rendered them on the screen according to a very strict template, with which he stuck to a remarkable degree. excellent suspect because of the genius of the actual killer's original plan: Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. revolving ride to get to the controls. "Preferences in food characterize people" Hitchcock said. Addeddate 2021-02-10 15:58:01 Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. This fear is at the heart of many of used to finish his final film, "My Son John.") Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. "[61], In contrast, modern reviews have been overwhelmingly positive. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. Buy it! [9] Hitchcock had already shot the long shots for the tennis match at Forest Hills and would add closer shots with Granger and Jack Cushingham, Granger's tennis coach off-screen and Guy's tennis opponent Fred Reynolds on-screen at a tennis club in South Gate, California. Highsmith After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . Also in the cast are Ruth Roman, Leo J. Carroll, Patricia Hitchcock (Alfred's daughter), Marion Lorne, and Kasey Rogers. After Guy arrives, he and Bruno fight on the park's carousel. inspiration of a very large dog to distract the audience from what he would producer (uncredited) Music by Dimitri Tiomkin . Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. be accused of a crime he did not commit. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. The more you watch, the more you'll see. Hitchcock allegedly wanted William Holden for the role of Guy "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). effective scene shows Guy floating in a little boat through the Tunnel of Love The two men are as different as can be but both have the saem problem. Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. helps explain how Bruno could come so close to carrying out his plan. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. would have worked perfectly -- except for the detail that only one of the station with a note asking the sergeant to lock him up until called for. strangers agrees to it. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. scene in the record store, writing something in a notebook. 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